On display in Carrier Library, November 2018. Selected by Kerry Scannell.
Augusto Boal, founder of Theatre of the Oppressed argues, “The theater itself is not revolutionary: it is a rehearsal for the revolution." His claim reflects the notion that theatre as a fabricated space serves as a place for people to practice change-making, and that theatre has the unique ability to bring awareness to social issues in a hugely community-focused medium. Check out some important texts and scripts in this highly entertaining display!
AIDS, Social Change and Theater
by
Cindy J. Kistenberg
Crucibles of Crisis
by
Janelle G. Reinelt (Editor)
Electoral Guerrilla Theatre: Radical Ridicule and Social Movements
by
L. M. Bogad
Essays on Theatre and Change
by
Kelina Gotman
The How and the Why
by
Sarah Treem
How I Learned to Drive
by
Paula Vogel
Jesus Hopped the a Train
by
Stephen Adly Guirgis
The Monster in Theatre History: This Thing of Darkness
by
Michael Chemers
Mr. Marmalade
by
Noah Haidle
Performance in a Militarized Culture
by
Sara Brady; Lindsey Mantoan
Theater and Cultural Politics in a New World: An Anthology
by
Chinua Thelwell
This Is Our Youth
by
Kenneth Lonergan